HarmoNYom

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When Continents meet!

WHEN CONTINENTS MEET!

East/West, Fusion & Musicians...

  • DIRECTIONS is very proud to celebrate his new group which features a blend of North and South Indian music as well as East and West.

     

    DIRECTIONS featured young talented musicians:
    Joshua Geisler – Bansuri                                                    

    Ehren Hanson - Tabla
    Matt Kilmer - Percussion
    Arun Ramamurthy - Violin
    Nemanja Rebic - Guitar

    Joshua Geisler is a young master of the Bansuri, the North Indian Bamboo Flute. He plays with a flowing, highly ornamented style that effortlessly weaves together Indian Classical Music and Jazz. By embracing the concept of hybridization, Joshua Geisler has innovated both the playing technique and construction of his instrument. His book, The Chromatic Bansuri, details a unique fingering system of his own creation that enables the bansuri to play virtually any style of music. As a flute maker, he has improved the tone, volume, and response of the bansuri by studying flute-making techniques from around the world and the mathematics governing the process.
    An award-winning artist, his work has received funding from the American Institute of Indian Studies and the New York State Council for the Arts.
    After graduating in 1998, he moved to upstate New York to study North Indian Classical music with the great American bansuri master, Steve Gorn. This was followed by multiple trips to India to study with Pandit Raghunath Seth, one of the living legends of Indian flute playing. In recent years, he has been learning with Varanasi-based Sarod maestro Pandit Vikash Maharaj, a 14th-generation master musician. An unusually versatile musician, he has worked with many great artists in various genres. He has performed with several masters of Indian Classical Music such as: Pandit Raghunath Seth, Steve Gorn, Pandit Vikash Maharaj, Fazal Qureshi, Sabir Khan, and Ramesh Mishra. In popular music, he has worked with the likes of Paul Simon and Josh Groban among many others. http://joshuageisler.com/html/text_block.php

     

    Nemanja Rebic was born in Novi Sad- Serbia. In Amsterdam-Netherlands he studied jazz guitar, classical guitar and world music at Conservatorium Van Amsterdam where he graduated in 2006. He also studied tabla and north indian music. December 2006 he went to India to play and study indian classical music with M.Vasudeva Rao-reknown Mridangam Guru from Bangalore and Karnatic vocalist N.Ravikiran.
    Nemanja has worked and performed with various great musicians around the world.
    Currently he resides in New York City where he performs on regural basis, composes and teaches music.

    Carnatic violonist Arun Ramamurthy has trained originally with the esteemed A. Ananthakrishnan. Later Arun got the good fortune to learn from the celebrated violin brothers, Mysore Nagaraj and Mysore Manjunath.

    Ehren Hanson, a musician from his early childhood, began playing percussion at age 14. Soon after, he discoverd the Tabla, and has been an addict ever since. In 2000, he was accepted as a disciple by the great Pandit Anindo Chatterjee, and has been learning from him to date. In 2005, he received the "Senior Performing Arts Fellowship" from the American Institute for Indian Studies with which he spent the next two years in Kolkata. He now lives in Brooklyn, NYC. www.tollywoodallstars.com


    Matthew Kilmer (born 1979 in Pittsburgh, Pennsylvania) is an American percussionist, drummer, and producer. A student of Jamey Haddad at Berklee College of Music in Boston, MA, Mr. Kilmer has performed and recorded with artists such as master oudist Simon Shaheen, Grammy Award winning hip-hop artist Lauryn Hill, tabla master Zakir Hussain, Krishna Das, and Steve Gorn. Currently he is working with the singer and composer Haale, playing percussion in her live band. He also produced Haale's debut full-length album "No Ceiling" which was released in 2008 to critical acclaim. His work with electronics, sampling, and live looping has further added to his sonic palette.

  • Max ZT - Dulcimer

    After hearing the hammered dulcimer at a Chicago area folk festival at the age of six, Max ZT was hooked. He studied under Kat Eggleston for ten years before venturing to Bard College in upstate New York. Several years in to his college studies, Max traveled to Senegal, West Africa, to study the Mandinko technique with his Guru Bouba Cissoko from the Cissoko griot family. He has returned for a total of three trips to Senegal and has put out four disks. Max has won the National Hammered Dulcimer Championship and works with scores of national and international artists. End of 2009, Max will be traveling to India and will study intensely Santoor and Indian Classical Music under the tutelage of renowned Pandit Raoul Sharma.

  • Suphala - Tabla

    Tabla Artist, Composer, and Producer, Suphala:

    “This Indian-American beauty plays those two small drums like Bruce Lee in a fistfight - with fast hands and a furious beauty.” – St. Petersburg Times.

     

    There was always music in Suphala’s life; she began studying classical piano at age four. But then she found her calling in the tabla, which won her over with its beautiful sound and the freedom of its improvisatory nature. Tabla artist, composer, and producer, Suphala, has been sought after by, and collaborated with a wide range of talented artists including Norah Jones, Sean Lennon, Perry Ferrell (Jane’s Addiction), hip- hop producer Timbaland, Lady Ms. Kier (Dee-Lite), 4Hero, Yoko Ono, Vijay Iyer, DJ Logic, Gingger Shankar, Michael Bland (Prince), and Jeff Lee Johnson.
    Suphala is a protege of Ustad Allarakha and Ustad Zakir Hussain who are a constant source of inspiration to her. Blueprint (Suphala Productions, released 2007), now available worldwide (2008), is Suphala's stunning new album. She builds from the base of her world- renowned tabla knowledge, with infusions of modern electronic sounds, and top-flight songwriting. Suphala features such notables as vocalist Edie Brickell (on two songs), heavyweight producer King Britt, guitar legend Vernon Reid, as well as bansuri player Rakesh Chaurasia, Vikter Duplaix, Harper Simon, Mazz Swift, David Gotay and others on her third and most adventurous release.
    Suphala's previous release, The Now, (Tommy Boy Records, released 2005) featured contributions from such stellar guests as Norah Jones, Vernon Reid, and even Antonio Banderas, and was featured from the New York Times to the Times of India.
    In Feb. 2005, Suphala made history when she became the first musician to play in public since the fall of the Taliban.
    According to the New York Times, "Kabul's badly depleted music scene received a welcome injection of excitement last week with the arrival of Suphala, the New York-based tabla player and composer… Suphala certainly brought brightness… her touch and rhythm are sure." It caused a sensation in the war-torn country. "I have not played with a woman before," one Afghan tabla master said. "Our grandfathers do not even know of it." www.suphala.com

  • The Neel Murgai Ensemble

    The Neel Murgai Ensemble a chamber quartet that
    features students of these masters, will open the night with their unique blend of Raga, western classical and jazz. Its features Neel Murgai on sitar, voice and frame drums, Sameer Gupta on tabla, Mat Maneri on viola and Greg Heffernan on cello. They perform new music that straddles cultures, continents and eras. Neel has assembled this talented ensemble after years of experimentation with different groups and instrumentations. Best described as Indo-chamber jazz, their sound ranges from an overtone singing, droning minimalism to intricate arrangements of raga based melodies and mathematical rhythmic structures, with healthy doses of improvisation throughout. Neel and Sameer are students of Krishna Ji and Anindo Ji respectively, and are honored by this opportunity to play before them. 

    http://myspace.com/neelmurgai

  • Michael Harrison - Vocal & Piano

    Groundbreaking composer/pianist/vocalist Michael Harrison has developed one of the most distinctive musical styles of our time. Through his expertise in "just intonation" tuning systems and North Indian ragas, his deep understanding of Indian and Middle Eastern rhythms and his innate gift for melodic composition, he has created a revolutionary new sound for the piano. For the past 25 years, Harrison has performed his music throughout the U.S. and Europe. His latest work, Revelation: For Harmonically Tuned Piano, is scheduled for release on Cantaloupe Records in 2007. As a disciple of Ustad Mashkoor Ali Khan and the late Pandit Pran Nath of the Kirana Gharana, and a protégé of the esteemed American composers, La Monte Young and Terry Riley, Harrison brings a unique perspective to teaching raga to Western musicians. Harrison is the President of the American Academy Indian Classical Music. www.michaelharrison.com
  • Steve Gorn  - Bansuri Flute

    Steve Gorn is creating a new idiom, a music that combines
    the essence of classical Indian tradition with a contemporary world music sensibility. In his astounding new solo album, Colors of the Mind, Steve infuses great mastery with a haunting, lyrical sweetness to bring the healing breath of the sacred to our demanding contemporary lives. Drawn by Bismallah Khan who played the shenai, (Indian oboe), and to Ravi Shankar and Ali Akbar Khan sounds at early age, Steve followed the music east and found himself in Benares, India in 1969, in a boat on the Ganges with the famous sarangi master, Gopal Misra, listening to his classical raga float out over the water in the evening light. Steve would eventually tour with Gour Goswami. Returning to the U.S., he brought his elegant bansuri sound to American pop music, drawing from classical Indian, jazz and world music to create a distinctive signature sound. Describing his 1996 performance in Mumbai at the Sangeet Research Academy's Indian Music and the West Seminar, SRA West Chairman, Arvind Parikh has said, "Steve Gorn's concert was widely appreciated for its outstanding musicianship.... and has won him a host of admirers." In 1998, Steve returned to India performing to enthusiastic audiences at The Nehru Center, NCPA, and the Dadar Matunga Music Circle in Mumbai. www.SteveGorn.com

  • Samir Chatterjee - Tabla

     

    Samir Chatterjee lives in New York-New Jersey area, where he has become a catalyst in the fusion of Indian and Western music, performing with Pauline Oliveros, William Parker, Branford Marsalis, Ravi Coltrane, Dave Douglas, Myra Melford, Steve Gorn, Glen Velez, Boby Sanabria, Ben Verdery, Dance Theater of Harlem, Boston Philharmonic, Ethos Percussion group, Da Capo Chamber Orchestra, Boston Musica Viva and other jazz, classical and avant guard musicians and ensembles. He is member of jazz trio SYNC with Ned Rothenberg and Jerome Harris and quintet Inner Diaspora together with Mark Feldman and Eric Friedlander. He also collaborates with Sufi-Rock singer Salman Ahmad of Junoon. He is also the composer and director of Nacho Nacho - Gypsy Storyteller and Chhand-Anand, World percussion Ensemble and Dawn to Dusk and Beyond. He performs with Sanjay Mishra on his CD "Blue Incantation" featuring Jerry Garcia as guest artist.
    Samir Chatterjee has been teaching for the last 30 years and many of his students are established performers. He is the Founder-Director of CHHANDAYAN, an organization dedicated to promoting and preserving Indian music and culture. He is the author of a comprehensive 654-page book entitled ‘A Study of Tabla’ and a guide book to Indian music titled ‘Music of India’.

     

    Samir Chatterjee is a virtuoso Tabla player of India. He
    travels widely across the world throughout the year performing in numerous festivals as a soloist or with other outstanding musicians from both Indian and western musical traditions. Chatterjee began his studies early with Pandit Bankim Ghosh, Pt. Balaram Mukherjee, Pt. Rathin Dhar and Mohammad Salim. His later formation as a musician occurred under the guidance of Pt. Amalesh Chatterjee (since 1966) and Pt. Shyamal Bose (since 1984). All of Samir's teachers have been from the Farrukhabad Gharana (school) of Tabla-playing, which he now represents.

    www.tabla.org 


  • The Silk Road Project

    Silk Road Project, Inc. is a not-for-profit organization,
    initiated by acclaimed cellist Yo-Yo Ma in 1998, promoting collaboration among artists and institutions, promoting multicultural artistic exchange, and studying the ebb and flow of ideas among different cultures along the Silk Road. The Project encompasses a number of artistic, cultural and educational programs. It has been described as an "arts and educational organization that connects musicians, composers, artists and audiences around the world"and "an initiative to promote multicultural artistic collaboration."

    In celebration of its 10th anniversary, the Silk Road Project is scheduled to present performances and programs by the Silk Road Ensemble in North America, Asia and Europe from 2008 to 2010. The Project is also involved in a two-year educational pilot program for middle-school students in New York City public schools. Its anniversary season began with the Silk Road Ensemble's performance with Yo-Yo Ma of the United Nations Day Concert in October 2008. Tenth-anniversary activities have also included a North American concert tour by the Silk Road Ensemble with Yo-Yo Ma in March 2009, which featured the North American premiere of Layla and Majnun, a chamber arrangement for the Silk Road Ensemble of a traditional Azerbaijani opera.

    The organization has published a book, Along the Silk Road, and commissioned more than 60 new chamber music compositions.The Silk Road Project has also created educational materials entitled "Silk Road Encounters" and has partnered with the Stanford Program on International and Cross-Cultural Education (SPICE) to produce Along the Silk Road, a curriculum for students in grades six-10, and The Road to Beijing, a documentary made available with related lessons about Beijing in advance of the 2008 Summer Olympic Games. As of December 2008, the Silk Road Ensemble has recorded five CDs.

    At its height from the second century BCE until the 14th century, the Silk Road was a vast network of trade routes that connected China to the Mediterranean through Greater Iran. For centuries ideas, objects, and people traveled along the Silk Road, making it one of the most fluid and broad arenas of exchange the world has known and a major conduit of culture and civilization. The name Silk Road Project serves as a metaphor of the cultural exchange of ideas envisioned by the project.

    http://www.silkroadproject.org/

  • Eric Fraser - Bansuri

    Eric Fraser is a disciple of Pandit Gopal Roy of Kolkata,
    India, a leading exponent of the Padmabhushan Pannalal Ghosh and Pandit Gour Goswami lineage. Eric's “gayaki ang”or vocal approach to the bansuri flute is unique and rare, deep and sincere. Merging a healing breath with craft and musicality, Eric brings an exciting, meditative and moving performance. While at home in New York, Eric continues to perfect his art under the guidance of master musician Steve Gorn, a bansuri player from the same "Gharana" (lineage). Eric regularly performs Indian classical music on the bamboo flute in India and the USA, including much collaboration as an accompanist for dance and theatre. He is also involved in the ground breaking Latin/Indian fusion project, the Tollywood Allstars (WWW.TOLLYWOODALLSTARS.COM), and has made contributions with his bansuri to music ranging from Hip Hop to childrens music. Besides flute, Eric Fraser is a music therapist (MA-BC), freelance teaching artist and singer/songwriter. 

    http://www.myspace.com/ericfraser 


  • Falu - Vocalist

    Falu is widely recognized for a rare ability to seamlessly
    blend a signature modern inventive rock style with a formidable Indian classically-shaped vocal talent.
    In her early years in Bombay, singer Falu (aka Falguni Shah) was trained rigorously in the Jaipur musical tradition, honing her talent for up to 16 hours a day at times. She later continued studying under the legendary sarangi/vocal master Ustad Sultan Khan - a mentorship that continues to drive and inspire her to this day. Today, Falu's band brings together musicians who draw elegantly from Indian classical, alternative rock, contemporary pop, and electronic styles to create a tight mix of East and West, of ancient and modern. More recently, Falu and her band were featured internationally on National Geographic Channel's Geo Sessions, as well as on Fox TV's Fearless Music, where the hit single Rabba became the first Hindi song ever performed on the national network.
    On the night of Tuesday, May 5 2009, New York based Hindi songstress Falu made a special appearance at the Time 100 Gala, performing a rendition of “Jai Ho” alongside Slumdog Millionaire film composer AR Rahman, for an exclusive and star-studded crowd which included First Lady Michelle Obama, Oprah, Barbara Walters, Stella McCartney, Liv Tyler, and more.
    http://www.falumusic.com/

  • Daisy Paradis - Sitar

    Daisy Paradis is one of the few Americans who can give a pure and authentic rendition of North Indian classical music. An outstanding musician in full command of her instrument, she has had the benefit of more than twenty years of training with one of the greatest artists of India, Maestro Ali Akbar Khan. Her depth of knowledge and devotion to music is coupled with rigorous classical training. Her interpretation is enlivened by an individuality and spark of energy that fills her performance with excitement.

  • Lotus 5 - Indo-Jazz Fusion

    Featuring:
    A.R. Balaskandan - Mridangam
    Richard Bennett - Piano
    Naren Budhkar -Tabla
    Arun Ramamurthy - Violin
    Indrajit Roy-Chowdhury - Sitar


    After jazz pianist Richard Bennett's recent trip to Mumbai where he immersed himself in Indian music, he began composing solo piano ragas.
    To Hindustani sitarist Indrajit Roy-Chowdhury and Carnatic violinist Arun Ramamurthy, Richard's compositions had the right energy for them to take the leap into Indo-jazz fusion.

    Accompanying musicians A. R. Balaskandan  and Naren Budhkar support and enhance the evocative sound of the Lotus 5.

    First performance in New York, July 17 2009 at Drom.


  • Red Baraat - Indo/Brass Funk

    Led by drummer Sunny Jain, Red Baraat is the first and
    only dhol ‘n’ brass band of its kind in the States, melding the infectious North Indian rhythm Bhangra with brass funk and expressing the human spirit through improvisation and a powerful live sound.  Comprised of dhol (double-sided, barrel-shaped North Indian drum slung over one shoulder), percussion and horns, this NYC-based group plays fresh originals, as well as traditional Punjabi songs and Bollywood numbers with a dramatic stage performance and presence.

    In the short time since their inception, the group has delivered blistering performances at the 4th Annual Droma Gypsy Festival, The Kitchen performance art space, the underground loft party series Brooklyn Wonderland, India Independence Day Parade, Barbes, Joe’s Pub, Santos Party House, as well as a live radio broadcast for WFMU-FM 91.1 and WKCR-FM 89.9.  They recently recorded the credit roll theme song for the movie, The Yes Men Fix the World, performed at the 43rd Annual War Resistors League Peace Award ceremony, alongside folk legends Steve Earle and Allison Moorer, and performed for Ports 1961 at the 2009 Mercedes-Benz Fashion Week (NYC).

    Debut CD to be released January 2010. http://www.redbaraat.com/

  • Brooklyn Qawwaly Party - Indo Jazz

    Jazz-funksters Brooklyn Qawwaly Party deconstruct the
    Sufi melodies of the late Nusrat Fateh Ali Khan for fans of adventurous improvisation.

    http://www.brooksqawwaliparty.com/live/

     

  • Daniel Weiss - Tabla

    Daniel Weiss started playing the drums at the age of 6. He studied privately since he began. His main teacher as a child and teenager was Jeff Krause. While in high school he studied classical piano and classical composition. He studied drums and composition at the Manhattan School of music. His drum teacher was John for 4 years and his composition teacher was David Noon. Dan also studied frame drums with Jamey Hadaad. He has performed and or recorded with David Binney, Lee Konitz, Dave Liebman, Rudresh Mahanthappa, Vijay Iyer, Miguel Zenon, Wayne Krantz, Kenny Werner, Ritchie Beirach, Ben Monder, Uri Caine, Village Vanguard Orchestra, Ravi Coltrane and many others. He has been touring Europe and North America extensively for the past seven years with many different projects. He has also played in South America and Asia and has recorded for Omnitone, Fresh Sound/New Talent, Arabesque, Pi, Criss cross, Between The Lines, Act, Hat Hut, and Auand record labels.

    Dan has been studying tabla for the last nine years exclusively under the guidance of his guru Pandit Samir Chatterjee. He has performed classical Indian music in India and the U.s. with Ramesh Mishra, Mandira Lahiri, Subra Guha, Anoushka Shankar, Joyas Biswas, K.V. Mahabala and Steve Gorn. He has also performed in recitals with his teacher in Kolkatta, India.
    Weiss has two recordings under his own name including a solo tabla CD. Dan has self published a book entitled "Tintal Drumset Trancriptions." He has given clinics all over the United States as well as Canada and Europe. He has a loyal base of students in the New York area.
    http://www.danweiss.net/bio.html
  • Tiger Lilies - Violin & Cello

    Tiger Lilies is a newly formed duo based in New York City, composed of violinist Trina Basu

    and cellist Amali Premawardhana.

     

    As two emerging artists with roots in India, Sri Lanka and North America, Trina and Amali aspire to discover and bring to light the music of their own cultural backgrounds as well as music from other parts of the world that has deeply inspired them. Drawing upon influences of nature, beauty, simple folk melodies and complex classical compositions, Tiger Lilies seeks to blend creative improvisations and arrangements with authentic traditions.

    http://www.myspace.com/tigerliliesmusic

  • SOM - Indo Jazz

    With Snehasish Mozumder - Mandolin

     

    Snehasish Mazumder plays an oversized mandolin with four pair strings in which two pair is thick and the other two are usual. This results to obtain a dark yet mellow sound with altered tuning. Besides playing Indian Classical Music. His contribution to Fusion with the creation of his band SOM is also well respected, having introduced his invention, a Hybrid Mandolin comprising of a "Double Neck" into that scene. This unique instrument is exclusively designed by Senahasish Mozumder himself. The instrument comprise of double neck, of which the lower neck is for Indian Classical Music having four pair thick base strings and the upper neck has five pair strings. Some times it is played with five single strings also sounding like a guitar.

     

    Snehasish Mozumder is among those few established

    musicians in India who has mastered the art of playing Mandolin, and has blended it perfectly into the style of Hindustani Indian Classical Music. Coming from a musically oriented family, he started his initial training at the age of four with Tabla and then Mandolin under the guidance of his grand father late Sri Bibhuty Ranjan Mozumder and then he took training under his father Sri Himangshu Mazumder and his uncle late Sri Ranjan Mozumder. Gradually he switched over to his cousin Sri Tejendra Narayan Majumdar who is a well-known sarode player of the country. He continued his study under late Acharya Ajoy Sinha Roy who was a beloved disciple of Baba Allauddin Khan Saheb, the founder of Maihar Gharana and he takes lesson of laykari under the guidance of Pandit Anil Palit who is a senior most disciple of Pandit Kishan Maharaj, Finally he came under the tutelage of Pandit Ajoy Chakraborty. Snehasish, has performed many major festivals in India like Sankat Mochan Utsav of Varanasi Swami Haridas Sangeet Sanmelan of Mumbai, Indian Habitat Centre of Delhi, Bhowanipur Sangeeet Sanmelan, GolPark Ramkrishna Mission of Kolkata and Saltlake Music Conference of Kolkata e.t.c., and also he has toured Europe , U.K. , and USA and made a very good name amongst the music lovers. He is the recipient of Surmani and Jadubhatta Awards.

    www.mandolinmusic.com 

  • Ray Spiegel - Tabla

     

    Ray Spiegel is a disciple of the late Tabla Master Ustad
    Alla Rakha since 1975, specializing in the Punjab Gharana (style) of Tabla playing. He has also benefited from the intensive training and guidance he has received from Ustad Zakir Hussain from 1973 to 1980. Ray began his formal training at the Ali Akbar College of Music in San Rafael, CA under Sri Shankar Ghosh in 1970. He studied with Sri B.S. Ramanna, (a disciple of Sheik Dawoodkhan of Hydrabad) in New Delhi in 1971 and 1972.
    Ray Spiegel has performed in the U.S. and India as both accompanist and soloist, appearing with such well-known musicians and vocalists such as: Ustad Alla Rakha, Ustad Sultan Khan (Sarangi), Ustad Aashish Khan (Sarode), Pandit Buddhadev Das Gupta (Sarode), Pandit Vidyadhar Vyas (Vocalist), Pandit Manilal Nag (Sitar), Pandit Ragunath Seth (Bansuri flute) and Pandit Barun Kumar Pal (Hindustani Guitar).
    Spiegel also plays a variety of musical instruments such as Indian folk drums, Vibraphone, marimba, and assorted western and Asian percussion. He is head of Simla House, Inc. an independent CD label. Ray spent his formative years in the San Francisco Bay area, where he was associated with musicians such as Ustad Zakir Hussain, Ustad Alla Rakha, and at the Ali Akbar College of Music, studying tabla and playing in the Diga Rhythm Band (with Mickey Hart and Zakir Hussain), and various small combos. http://www.simlahouse.com/people/ray.php

  • Stan Scott - Vocalist

    Dr. Stan Scott began his study of North Indian classical singing in 1972.  His singing blends aspects of the Gwalior and Agra gayakis.  His gurus include Dr. Vidyadhar Vyas, Mohan Singh, Krishna Chandra Banerjee, Sushil Mukherjee, and Kali Das Gupta.  A recipient of both Fulbright and American Institute of Indian Studies fellowships for extended study in India, he has performed as a featured soloist at Bombay’s National Centre for the Performing Arts, Calcutta’s Rabindra Sadan, Pune’s Swaramayee Gurukul, the Bhatkhande Music Institute, the Ramakrishna Mission in Lucknow, and many other venues in Ireland and the United States.  He directs the Rangila School of Music in Connecticut, teaches Hindustani music at Wesleyan and Southern Connecticut State Universites, and has lectured on Indian music at Yale, Colgate, Brown, UC Santa Cruz, and Clark Universities.

    Pandit Vidyadhar Vyas, the vice chancellor of Bhatkhande Music University, wrote: “Dr. Stanley Scott is a wonderful musical phenomenon who sings to prove that the real music urge within does not recognize any geographical or cultural barriers or boundaries.  Stan has a rare gift of talent of temperament and exceptionally deep, powerful and expressive voice that many singers, including traditional Indian singers, would envy.
  • Andrew Shantz - Vocal & Keyboard

    Andrew Shantz is an emerging keyboard improviser, vocalist and composer with a background in Jazz and an appetite for musical exploration. Since graduating from William Paterson University in 2003 with a B.M. in Jazz Studies Andrew has continued to develop his musical skill and vocabulary and in 2006 began studies of Hindustani classical music in Kolkata, India with Pandit Samar Saha and Shrimati Madhumita Saha. This year Andrew debuted his group Colors of Tarab at Alwan for the Arts in a concert featuring traditional pieces and original compositions combining elements of Indian and Arabic music and Jazz
    improvisation.

     

     

    Paul Livingstone - Sitar

     

    International performing artist *Paul Livingstone* is one of
    the few American artists to have learned directly from the living legend of Indian music Pandit Ravi Shankar.  He also learned from sarod maestro Rajeev Taranath.  Paul's authentic feel in performance of classical ragas and level
    of virtuosity of his sitar playing are rarely heard from artists of non-Indian origin.  He has given concert performances & workshops on traditional and crossover music around the US, Mexico, South East Asia, Spain and India when he was recognized in the Calcutta press as "an Indian soul in white skin".  In the creative tradition of Hindustani (North Indian)
    classical music Paul has been rigorously trained since 1985 in India and the US to play and improvise in the raga system (traditional melodic forms) on sitar.
    Paul's recording credits include popular artists Ozomatli, Alanis Morrisette, Beck and Cypress Hill.  Paul has also performed and/or recorded with diverse virtuoso artists such as African griot, Prince Diabate, Persian artists Hossien Alizadeh & the Liän Ensemble, Indian
    artists such as Swapan Chaudhuri, Poovalur Sriji, Abhijit Banerjee, Geetha Bennett, as well as Glen Velez, Pedro Eustache, Kenny Burrell, Ali Jihad Racy, Miroslav Tadic & John Bergamo.  In addition to leading and composing
    for his own Arohi Ensemble he has composed scores for film, television live theater and dance and is the Founder & Artistic Director of the Sangeet School of World Music in Los Angeles through which he has presented musicians from all seven continents of the world in concerts and workshops of traditional and contemporary world music.  He was also on music faculty of Cal Arts for 5 years.  www.tanpura.com


 

 

 

 

 

 

Lee Torchia - Vocalist

 

Lee Torchia studied classical Indian

music privately with Pandit Pran Nath, the greatest of North Indian Raga masters, as well as with his disciples, La Monte Young and Terry Riley. They are among the highest authorities of the American Minimalist and Microtonal tradition. She went to India four times with this select group of musicians for extended visits in order to study, travel and absorb the culture and traditions.
Lee was also drawn into the New York jazz community, joining Barry Harris' workshop in 1978, studying privately with Helen Merrill, and performing with many of the top jazz musicians including Walter Bishop, Jr., Dick Katz, Doc Cheatham, Chuck Folds, Jackie Williams, Ray Mantilla, Slide Hampton and Muhal Richard Abrams. In December of 1985 she assembled an all-star rhythm section and recorded the CD: Loverman, A Tribute to Billie Holiday.
In 1996 Lee accompanied her Guru, Pandit Pran Nath in workshops and performances in Paris, France. She began solo Hindustani Classical Vocalist concerts in the traditional Indian style at the Bruno Walter Auditorium at Lincoln Center, Pace University, Pratt Institute, Penn State Scranton and Schuylkill. She adjunct faculty, teaching Raga and presented a Master Class for the Jazz Department at the New School University in New York. http://www.jazzraga.com

 

 

 

Michael Baudry - Violin

 

Michael Braudy is an experienced

violinist in Western, North Indian and Celtic music, and has taught music and meditation for more than 30 years.  A versatile improviser, he regularly collaborates with poets, storytellers, dancers, theatre and mime.  Michael studied Western violin with Raphael Bronstein and Dorothy Delay, and Indian violin with Acharya Roop Verma and Pandit V.G. Jog.  From a deep commitment to music for meditation and health, he gives performances and workshops in the US and abroad.  In India he has played in Kolkata, Delhi, Mumbai and Auroville, and the Jaipur International Festival in Rajasthan.  He is a founding member of Lifetime Visions Orchestra with Chris Chalfont and Joseph Jarman.  His recordings include Celtic Afternoon Concert, and a series of ragas for health: Sumanas, Vriddhi and Awakening Peace (Healing Ragas for the World). www.michaelbraudy..com




Stephen Celluci - Tabla

Stephen Cellucci has studied tabla under the guidance of Pdt. Samir Chatterjee since 2000. He was initiated as a disciple of his Guruji in 2005 and has shared the stage with him several times since. He performed at the well-known Chhandayan All Night Concert of Indian Music in New York City in 2004 and 2009. He also has extensive experience playing with kirtans and accompanying dance -- both traditional Indian kathak and western modern forms. 

Stephen's background in western classical music and piano complement his ongoing, rigorous study of Indian music. His scope of musical influences gives him the versatility to adapt the tabla to most any musical need. He resides, teaches, and plays in New York City. Contact him at sjcellucci@gmail.com.

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